Starting from the basic concept for the production of musical sound , the essay reduces the sound to its single tone , analyzes the common origins of pitch , rhythm and volume on the deeper level , and thereby derives the potential of the transformation among the three , revealing the truth in the art of music that the whole is not equal to the simple addition of all individuals 本文從音樂(lè)音響產(chǎn)生的基本概念入手,將音響還原到單音狀態(tài),分析了音高、節(jié)奏、音量在深層次上的共同根源,并以此推導(dǎo)出三者存在相互轉(zhuǎn)化的可能,從而揭示在音樂(lè)藝術(shù)中整體并不等同于單個(gè)個(gè)體的簡(jiǎn)單相加,而二度創(chuàng)作空間從單音的發(fā)音到分句的劃分也同樣存在無(wú)窮的可能,也由此決定了人的感性參與的重要意義,它們的創(chuàng)作空間是主客觀的共同作用。