例句與造句

1. Wittgenstein stated this in his lectures on aesthetics and language games.
2. Hustvedt gave the third annual Schelling lecture on aesthetics at the Academy of Fine Arts in Munich.
3. Defining it requires a description of the entire phenomenon, as Wittgenstein argued in his lectures on aesthetics.
4. He also lectured on aesthetics and sociology of art at the University of Vienna and at the University of Applied Art in Vienna.
5. His lectures on aesthetics, philosophy and history attracted much attention, not only among Germans, but among English speakers as well.
6. It's difficult to find lectures on aesthetics in a sentence. 用lectures on aesthetics造句挺難的
7. Heidegger calls Hegel's " Lectures on Aesthetics " " the most comprehensive reflection on the essence of art that the West possesses ".
8. Friedrich von Schlegel, August Wilhelm Schlegel, Friedrich Schleiermacher and Georg Wilhelm Friedrich Hegel also gave lectures on aesthetics as " philosophy of art " after 1800.
9. After Trinity College in Dublin and classic studies at Oxford, he became a poet and critic who lectured on aesthetics, the subject of two current London exhibits on Wilde.
10. While at CAVS he participated in " Arts Electronica " in Vienna, Austria and lectured on Aesthetics and Technology at the Institute of Design in Offenbach am Main, Germany.
11. Soon after the publishing of this famous book, he wrote a series of lectures on aesthetics, which he delivered as an honorary lecturer at Columbia University, his alma mater.
12. This translation also qualified Mendelssohn to study at the Humboldt University of Berlin, where from 1826 to 1829 he attended lectures on aesthetics by Georg Wilhelm Friedrich Hegel, on history by Eduard Gans and on geography by Carl Ritter.
13. Winckelmann was read avidly by Johann Wolfgang Goethe and Friedrich Schiller, both of whom began to write on the history of art, and his account of the Laocoon occasioned a response by Hegel's " Lectures on Aesthetics ".
14. In his Lectures on Aesthetics, Hegel wrote ( on the Arts translated by Henry Paolucci, 2001, p . 155 157 ) : Pantheistic poetry has had, it must be said, a higher and freer development in the Islamic world, especially among the Persians . . . The full flowering of Persian poetry comes at the height of its complete transformation in speech and national character, through Mohammedanism . . . In later times, poetry of this order [ Ferdowsi's epic poetry ] had a sequel in love epics of extraordinary tenderness and sweetness; but there followed also a turn toward the didactic, where, with a rich experience of life, the far-traveled Saadi was master before it submerged itself in the depths of the pantheistic mysticism taught and recommended in the extraordinary tales and legendary narrations of the great Jalal-ed-Din Rumi.